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By then in her late 20s, she was already a savvy businesswoman, had founded her own offshoot (The Goldmind) from major label Elektra, and was conscious of the industry pressure surrounding her next move. Switching things up had definitely been Elliott's intention. In 2001, it felt like a thrilling shock to the system countless plays, remixes (and multi-genre covers) later, Get Ur Freak On still sounds utterly electrifying. From its opening notes, the track was fantastically irrepressible: the six-note melody played on a Punjabi one-stringed tumbi the impulsive tabla percussion Elliott's vivacious Southern flow ('I know you dig the way I sw-sw-switch my style'). This was no debut – Elliott had already made a bold impact with hits over two albums: Supa Dupa Fly (1997) and Da Real World (1999), as well as penning songs for R&B stars such as Aaliyah and SWV with her long-time friend, producer and collaborator, Timbaland – but it was a gamechanger. Twenty years ago, Virginia-born rapper, singer-songwriter and producer Missy 'Misdemeanour' Elliott released what would prove to be one of the most iconic anthems in modern music: Get Ur Freak On.

#Disgraced country singer tv#

He has filed stories for the Chronicle from more than 65 nations.'It's hypnotic, ballsy, amazing… The crowd is… on their feet, yelling and stomping their approval.' – (VIBE magazine reports a TV audience reaction to Missy Elliott's Get Ur Freak On, June 2001)

This story first appeared in The Christian Chronicle.Įrik Tryggestad is president and CEO of The Christian Chronicle. The exhibit at Lipscomb University in Nashville continues through Dec.

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There’s also recreation of Parton’s makeup mirror, plus bright lights, backgrounds and a Dolly Parton cutout for visitors to use in selfies. The exhibit includes detailed descriptions and diagrams that show how the dresses came to life. While Parton’s look is unique, the techniques used to produce her styles - rhinestoning, tambour beading and “building a couture bodice that is framed to someone’s body” - have broad application for students seeking careers in fashion for the masses. “She, of course, is one of a kind,” Poling added. When asked to describe Parton’s style from a fashion designer’s perspective, Poling laughed and said, “Very sparkly, from our perspective! Lemming, who is serving a stint as artist in residence at Lipscomb, worked with fashion and design students to create the exhibit. Parton and her husband of 57 years, Carl Dean, worshiped with the Radnor Church of Christ in Nashville for a brief time in the mid-1960s.Ī display of old hymnals and Bibles in the library’s lobby details Parton’s career-long emphasis on faith and gospel music. Lipscomb also has a connection to Parton through its association with Churches of Christ. A portrait of Carl Dean and his wife, Dolly Parton, from a 1966 church directory. Lipscomb had the perfect place for the exhibit, Poling said: “Here we are in the library, where (Parton) is so passionate about education and literacy.” Parton’s Imagination Library initiative has gifted more than 221 million books to children around the world.

Parton’s archivist, Rebecca Seaver, had a better idea - an exhibit of fashion to coincide with the forthcoming book “ Behind the Seams: My Life in Rhinestones.”

Horton, who earned his bachelor’s from Harding University in Searcy, contacted Lemming about procuring “a piece or two to frame an exhibit around” at Lipscomb, said Charlotte Poling, chair of Lipscomb’s fashion and design department. Eventually, she became Parton’s pattern maker, or draper. Lemming continued to pursue art in college, earning a master’s in fashion. “For me, it was the highlight of my year.” Lemming said of Wyldewood, “as it was a chance to get out of my tiny hometown, make new friends, sleep in screened cabins with no A/C and make art, ride horses, hike and do regular devotionals with singing.” “I have a lot of friends that have gone to Lipscomb, but I never thought that I was going to wind up having my display here,” said Dolly Parton as she and Lipscomb President Candice McQueen opened the library exhibit. Give a gift of $50 or more to The Roys Report this month, and you will receive a copy of “The Kingdom, the Power, and the Glory: American Evangelicals in an Age of Extremism” by Tim Alberta.